Journal Publications and Book Chapters
Freeman, J. (2011). “Artist Statement: Bringing Instrumental Musicians Into Interactive Music Systems Through Notation,” in Leonardo Music Journal, MIT Press, 21, pp. 15-16.
Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2011). “Soundscape Composition and Field Recording as a Platform for Collaborative Creativity,” in Organised Sound, Cambridge University Press, 16:3, pp. 272-281. This article is copyright 2011 Cambridge University Press but can be downloaded from my website courtesy Cambridge University Press.
J. Freeman and A. Van Troyer. "Collaborative Textual Improvisation in a Laptop Ensemble." Computer Music Journal, Vol. 35, No. 2, 2011.
J. Freeman and A. Colella. "Tools for Real-time Notation." Contemporary Music Review, Vol. 21, No. 1, 2010. Companion web materials are available here.
J. Freeman. "Web-based Collaboration, Live Musical Performance, and Open-form Scores." International Journal of Performance Arts and Digital Media, Vol. 6, No. 2, 2010.
J. Freeman and M. Godfrey. "Creative Collaboration Between Audiences and Musicians in Flock." Digital Creativity, Vol. 21, No. 2, 2010. This article is copyright 2010 Taylor and Francis but the text of this article can be downloaded from my website courtesy Taylor and Francis.
Conference Proceedings
Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2011). “Collaborative Improvisation in a Laptop Ensemble with LOLC,” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.
Freeman, J., Lee, S., Yao, S., and Albin, A. (2011). “LOLC for Laptop Music Ensemble (artist statement),” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.
DiSalvo, C., Freeman, J., and Nitsche, M. (2011). “Participatory art as inner city workshop: The UrbanRemix sound project,” in Proceedings of the Inter-Society for the Electronic Arts (ISEA 2011), Istanbul, Turkey.
J. Freeman. "Technology, Real-time Notation, and Audience Participation in Flock." Proceedings of the International Computer Music Conference (Belfast), 2008.
J. Freeman. “Graph Theory: Linking Online Musical Creativity to Concert Hall Performance.” Proceedings of the 6th ACM Creativity and Cognition Conference (Washington, DC), 2007.
J. Freeman. “Graph Theory: Interfacing Audiences Into the Composition Process.” Proceedings of the New Interfaces for Musical Expression Conference (New York), 2007.
Other Publications
J. Freeman. "DIY Scores." Symphony: The Magazine of the League of American Orchestras, September/October 2010.
J. Freeman. "Compose Your Own." The New York Times Online, April 23, 2010.
J. Freeman. "What I Listen To." The Art Section Vol. 2, No. 4, 2008.
J. Freeman. “Composer, Performer, Listener.” In Komponieren in der Gegenwart: Texte der 42. Internationalen Ferienkurse für Neue Musik 2004.ed. Jörn Peter Hiekel. Saarbrücken, Germany: Pfau Verlag, 2006.
J. Freeman. Glimmer, for chamber orchestra and audience. Doctoral dissertation, Columbia University, 2005.
J. Freeman. “ Swooping the Orchestra…” In ACOAdvance, Vol. XI, American Composers Orchestra, 2005.
J. Freeman. “On Prior Art.” Jahrbuch 7 — Akademie Schloss Solitude. Ed. S. Pantaleev and S. Burow, Merz & Solitude, 2004.
J. Freeman. “N.A.G. (Network Auralization for Gnutella): In Search of a New Way To Listen.” The HTV (Amsterdam), September 2003.
J. Freeman. "MetaMix: Between Unity and Collaboration." Self-published, 2002.
Selected Press
Lewis, S. (2011, May 12). “Artists Mix Times Square Street Sounds into Music,” on WNYC (New York public radio).
Kirn, P. (2011, April 26). “Remixing Times Square, with Mobile Field Recordings,” on CreateDigitalMusic.com.
Ruhe, P. "Sonic Generator Reflects on Today's Society with 'Open Score' Music." ArtsCriticAtl, January 25, 2011.
Feaster, F. "ATL's Little Black Art Book." The Atlantan, December, 2010.
Hicks, C. "Jason Freeman Brings Punk Rock's Boundary-Busting Ideas to Classical Music." Creative Loafing (cover story: Fall Arts Preview), September 2, 2010.
"Best of Atlanta 2009 (for Sonic Generator)." Atlanta Magazine, December 2009.
Loncharich, L. "The Piano Etudes Project: A Space for Play." Furtherfield, June 17, 2009.
Zarou, R. "Interview: Jason Freeman." No Extra Notes, April 19, 2009.
Kelderman, E. "Composers and Computers Work in Harmony at Georgia Tech's Music Center." Chronicle of Higher Education, January 30, 2009.
Yang Temko, W. “Music and Technology (interview about Sonic Generator).” WABE Arts and Cultural Programming, October 30, 2008.