Journal Publications and Book Chapters
Freeman, J., Xie, S., Tsuchiya, T., Shen, W., Chen, Y., Weitzner, N. (2015). “Using massMobile, a Flexible, Scalable, Rapid Prototyping Audience Participation Framework, in Large-Scale Live Musical Performances,” in Digital Creativity, Taylor and Francis.
Freeman, J. (2015). “Listening, Movement, Creativity, and Technology,” in S. Mass (ed.), Thresholds of Listening. New York, New York: Fordham University Press.
Lee, S., and Freeman, J. (2013). “Real-time Music Notation in Mixed Laptop-Acoustic Ensembles,” in Computer Music Journal, 37:4.
McCoid, S., Freeman, J., Magerko, B., Michaud, C., Jenkins, T., Mcklin, T., and Kan, H. (2013). “EarSketch: An Integrated Approach to Teaching Introductory Computer Music,” in Organised Sound, 18:2.
Weitzner, N., Freeman, J., Chen, Y., and Garrett, S. (2013). “massMobile: Towards a Flexible Framework for Large-Scale Participatory Collaborations in Live Performances,” in Organised Sound, Cambridge University Press, 18:1.
Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2012). “Rediscovering the City with UrbanRemix,” in Leonardo, MIT Press, 45:5, pp. 478-479.
Tsuchiya, T., Freeman, J., and Lerner, L. (2015). “Data-to-Music API: Real-time Data-Agnostic Sonification with Musical Structure Models,” in Proceedings of the International Conference on Auditory Display, Graz, Austria.
Mahadevan, A., Freeman, J., Magerko, B., Martinez, J. (2015). “EarSketch: Teaching Computational Music Remixing in an Online Web Audio Based Learning Environment,” in Proceedings of the Web Audio Conference (WAC), Paris, France.
Freeman, J., Magerko, B., McKlin, T., Reilly, M., Permar, J., Summers, C., Fruchter, E. (2014) “Engaging Underrepresented Groups in High School Introductory Computing through Computational Remixing with EarSketch,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Atlanta, Georgia.
Lee, S., and Freeman., J. "echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2013), Seoul, Korea.
Magerko, B., Freeman, J., McKlin, T., McCoid, S., Jenkins, T., and Livingston, E. (2013). “Tackling Engagement in Computing with Computational Music Remixing,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Denver, Colorado.
Freeman, J., Magerko, B., Edwards, D., Moore, R., McKlin, T., and Xambó, A. (2015). “EarSketch: a STEAM approach to broadening participation in Computer Science Principles,” at IEEE Research on Equity and Sustained Participation in Engineering, Computing, and Technology (RESPECT 2015), Charlotte, North Carolina. Extended abstract.
Tsuchiya, T., Freeman, J., and Lerner, L. (2015). “DataToMusic API: Data-Agnostic Aesthetic Sonification Framework,” at Sounds, Images and Data, New York, New York. Extended abstract.
Freeman, J., Magerko, B., and Verdin, R. (2015). “EarSketch: A Web-based Environment for Teaching Introductory Computer Science,” at ACM SIGCSE Technical Symposium on Computer Science Education, Kansas City, Missouri. Demonstration.
Freeman, J., Magerko, B., Edwards, D., and Verdin, R. (2015). “Computer Science Principles With EarSketch,” at ACM SIGCSE Technical Symposium on Computer Science Education, Kansas City, Missouri. Workshop.
Michaud, C., Freeman, J., and Magerko, B. (2014). “Creating Music with Python and EarSketch,” at International Society for Technology in Education (ISTE 2014), Atlanta, Georgia. Poster.
Hardman, R. (2013, May 10). “Remixing Middletown,” on WNPR (Connecticut Public Radio).
Beals, S. (2013, May 9). “MiddletownRemix Festival Saturday Celebrates City’s Eclectic Arts Scene,” in The Hartford Courant.
Dorminey, B. (2013, February 19). “Nanotech and Laptop Orchestras of the Future,” on Forbes.com.
(2013, January 28). “Algorithmic Music Composition,” in CS Bits & Bytes, a publication of the National Science Foundation.
USA Today (2013, July 13). "Hip Hop Tracks Composed With Computer Code."
(2012, August 31). “Middletown Gets Remixed,” on WNPR (Connecticut Public Radio).
Lewis, S. (2011, May 12). “Artists Mix Times Square Street Sounds into Music,” on WNYC (New York public radio).
Kirn, P. (2011, April 26). “Remixing Times Square, with Mobile Field Recordings,” on CreateDigitalMusic.com.
Ruhe, P. "Sonic Generator Reflects on Today's Society with 'Open Score' Music." ArtsCriticAtl, January 25, 2011.
Feaster, F. "ATL's Little Black Art Book." The Atlantan, December, 2010.
Hicks, C. "Jason Freeman Brings Punk Rock's Boundary-Busting Ideas to Classical Music." Creative Loafing (cover story: Fall Arts Preview), September 2, 2010.