Conference Proceedings

Freeman, J., Magerko, B., McKlin, T., Reilly, M., Permar, J., Summers, C., Fruchter, E. (2014) “Engaging Underrepresented Groups in High School Introductory Computing through Computational Remixing with EarSketch,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Atlanta, Georgia.

Lee, S., and Freeman., J. "echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2013), Seoul, Korea.

Magerko, B., Freeman, J., McKlin, T., McCoid, S., Jenkins, T., and Livingston, E. (2013). “Tackling Engagement in Computing with Computational Music Remixing,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Denver, Colorado.

Bretan, M., Weinberg, W., and Freeman, J. (2012). "Sonification for the Art Installation Drawn Together," in Proceedings of the International Conference on Auditory Display, Atlanta, Georgia.

Subramanian, S., Freeman, J., and McCoid, S. (2012). “LOLbot: Machine Musicianship in Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Lee, S., Srinivasamurthy, A., Tronel, G., Shen, W. (2012). “Tok!: A Collaborative Acoustic Instrument using Mobile Phones,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Lee, S., Freeman, J., and Colella, A. (2012). “Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Weitzner, N., Freeman, J., Garrett, S., and Chen, Y. (2012). “massMobile – an Audience Participation Framework,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.

Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2012). “Evaluating Collaborative Laptop Improvisation With LOLC,” in Proceedings of the Symposium on Laptop Ensembles and Orchestras (SLEO 2012), Baton Rouge, Louisiana.

Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2011). “Collaborative Improvisation in a Laptop Ensemble with LOLC,” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

Freeman, J., Lee, S., Yao, S., and Albin, A. (2011). “LOLC for Laptop Music Ensemble (artist statement),” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.

DiSalvo, C., Freeman, J., and Nitsche, M. (2011). “Participatory art as inner city workshop: The UrbanRemix sound project,” in Proceedings of the Inter-Society for the Electronic Arts (ISEA 2011), Istanbul, Turkey.

J. Freeman. "Technology, Real-time Notation, and Audience Participation in Flock." Proceedings of the International Computer Music Conference (Belfast), 2008.

J. Freeman. “Graph Theory: Linking Online Musical Creativity to Concert Hall Performance.” Proceedings of the 6th ACM Creativity and Cognition Conference (Washington, DC), 2007.

J. Freeman. “Graph Theory: Interfacing Audiences Into the Composition Process.” Proceedings of the New Interfaces for Musical Expression Conference (New York), 2007.

J. Freeman and M. Cerar. “Graph Theory and the Virtual Composer Residency Project.” Proceedings of the Spark Festival of Electronic Music and Art (Minneapolis), 2007.

J. Freeman. “Summarizing Musical Preferences as Audio Signatures.” Proceedings of the International Computer Music Conference (New Orleans), 2006.

G. Weinberg, J. Freeman, P. Chordia, F. Clark, C. Moore, S. Driscoll, T. Thatcher. “Georgia Tech Music Technology Group — Studio Report.” Proceedings of the International Computer Music Conference (New Orleans), 2006.

T. Thatcher, D. Jimison, J. Goetzinger, J. Freeman, G. Weinberg. “Mobile Networked Music Demonstration: Sequencer404.” Proceedings of the International Computer Music Conference (New Orleans), 2006.

J. Freeman. "Glimmer: Creating New Connections." Digital Art Weeks (Zurich), 2006.

J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, D. Birchfield. “The Architecture of Auracle: A Voice-Controlled Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Barcelona), 2005.

J. Freeman. “Large Audience Participation, Technology, and Orchestral Performance.” Proceedings of the International Computer Music Conference (Barcelona), 2005.

J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, and D. Birchfield. “Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Miami), 2004.

J. Freeman. “N.A.G. (Network Auralization for Gnutella).” In Proceedings of ACM Multimedia (New York), 2004.

K. Varnik, J. Freeman, C. Ramakrishnan, P. Burk, M. Neuhaus, D. Birchfield. “Tools Used While Developing Auracle: A Voice-Controlled Networked Instrument.” In Proceedings of ACM Multimedia (New York), 2004.

C. Ramakrishnan, J. Freeman, K. Varnik, D. Birchfield, P. Burk, and M. Neuhaus. “The Architecture of Auracle: A Real-Time, Distributed, Collaborative Instrument.” Proceedings of the International Conference on New Interfaces for Musical Expression (Hamamatsu), 2004.

J. Freeman. “MetaMix: A Symbiosis of Familiar Content With Generative Form.” Proceedings of the 6th International Conference on Generative Art (Milan), 2003.

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