Freeman, J., Magerko, B., Edwards, D., Moore, R., McKlin, T., and Xambó, A. (2015). “EarSketch: a STEAM approach to broadening participation in Computer Science Principles,” at IEEE Research on Equity and Sustained Participation in Engineering, Computing, and Technology (RESPECT 2015), Charlotte, North Carolina. Extended abstract.
Tsuchiya, T., Freeman, J., and Lerner, L. (2015). “DataToMusic API: Data-Agnostic Aesthetic Sonification Framework,” at Sounds, Images and Data, New York, New York. Extended abstract.
Freeman, J., Magerko, B., and Verdin, R. (2015). “EarSketch: A Web-based Environment for Teaching Introductory Computer Science,” at ACM SIGCSE Technical Symposium on Computer Science Education, Kansas City, Missouri. Demonstration.
Freeman, J., Magerko, B., Edwards, D., and Verdin, R. (2015). “Computer Science Principles With EarSketch,” at ACM SIGCSE Technical Symposium on Computer Science Education, Kansas City, Missouri. Workshop.
Michaud, C., Freeman, J., and Magerko, B. (2014). “Creating Music with Python and EarSketch,” at International Society for Technology in Education (ISTE 2014), Atlanta, Georgia. Poster.
Magerko, B., Freeman, J., Reilly, M., and Michaud, C. (2014). “Computational Music Remixing with EarSketch,” at ACM SIGCSE Technical Symposium on Computer Science Education, Atlanta, Georgia. Workshop.
Freeman, J. (2012). “Georgia Tech Center for Music Technology,” in The Grove Dictionary of Musical Instruments, Oxford University Press (in press).
J. Freeman. "DIY Scores." Symphony: The Magazine of the League of American Orchestras, September/October 2010.
J. Freeman. "Compose Your Own." The New York Times Online, April 23, 2010.
J. Freeman. "What I Listen To." The Art Section Vol. 2, No. 4, 2008.
J. Freeman. “Composer, Performer, Listener.” In Komponieren in der Gegenwart: Texte der 42. Internationalen Ferienkurse für Neue Musik 2004.ed. Jörn Peter Hiekel. Saarbrücken, Germany: Pfau Verlag, 2006.
J. Freeman. Glimmer, for chamber orchestra and audience. Doctoral dissertation, Columbia University, 2005.
J. Freeman. “ Swooping the Orchestra…” In ACOAdvance, Vol. XI, American Composers Orchestra, 2005.
J. Freeman. “On Prior Art.” Jahrbuch 7 — Akademie Schloss Solitude. Ed. S. Pantaleev and S. Burow, Merz & Solitude, 2004.
J. Freeman. “N.A.G. (Network Auralization for Gnutella): In Search of a New Way To Listen.” The HTV (Amsterdam), September 2003.
J. Freeman. "MetaMix: Between Unity and Collaboration." Self-published, 2002.