Magerko, B., Freeman, J., McKlin, T., Reilly, M., Livingston, E., McCoid, S., Crews-Brown, A. (2016). “EarSketch: Thick Authenticity in a STEAM-based Approach for Underrepresented Populations in High School Computer Science Education,” in ACM Transactions on Computing Education (accepted and in press).
Freeman, J. and Magerko, B. (2016). “Iterative Composition, Coding, and Pedagogy: A Case Study in Live Coding With EarSketch,” in Journal of Technology, Music, and Education, Intellect, 9:1, 57-74.
Freeman, J., Xie, S., Tsuchiya, T., Shen, W., Chen, Y., Weitzner, N. (2015). “Using massMobile, a Flexible, Scalable, Rapid Prototyping Audience Participation Framework, in Large-Scale Live Musical Performances,” in Digital Creativity, Taylor and Francis.
Freeman, J. (2015). “Listening, Movement, Creativity, and Technology,” in S. Mass (ed.), Thresholds of Listening. New York, New York: Fordham University Press.
Lee, S., and Freeman, J. (2013). “Real-time Music Notation in Mixed Laptop-Acoustic Ensembles,” in Computer Music Journal, 37:4.
McCoid, S., Freeman, J., Magerko, B., Michaud, C., Jenkins, T., Mcklin, T., and Kan, H. (2013). “EarSketch: An Integrated Approach to Teaching Introductory Computer Music,” in Organised Sound, 18:2.
Weitzner, N., Freeman, J., Chen, Y., and Garrett, S. (2013). “massMobile: Towards a Flexible Framework for Large-Scale Participatory Collaborations in Live Performances,” in Organised Sound, Cambridge University Press, 18:1.
Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2012). “Rediscovering the City with UrbanRemix,” in Leonardo, MIT Press, 45:5, pp. 478-479.
Freeman, J. (2011). “Artist Statement: Bringing Instrumental Musicians Into Interactive Music Systems Through Notation,” in Leonardo Music Journal, MIT Press, 21, pp. 15-16.
Freeman, J., DiSalvo, C., Nitsche, M., and Garrett, S. (2011). “Soundscape Composition and Field Recording as a Platform for Collaborative Creativity,” in Organised Sound, Cambridge University Press, 16:3, pp. 272-281. This article is copyright 2011 Cambridge University Press but can be downloaded from my website courtesy Cambridge University Press.
J. Freeman and A. Van Troyer. "Collaborative Textual Improvisation in a Laptop Ensemble." Computer Music Journal, Vol. 35, No. 2, 2011.
J. Freeman and A. Colella. "Tools for Real-time Notation." Contemporary Music Review, Vol. 21, No. 1, 2010. Companion web materials are available here.
J. Freeman. "Web-based Collaboration, Live Musical Performance, and Open-form Scores." International Journal of Performance Arts and Digital Media, Vol. 6, No. 2, 2010.
J. Freeman and M. Godfrey. "Creative Collaboration Between Audiences and Musicians in Flock." Digital Creativity, Vol. 21, No. 2, 2010. This article is copyright 2010 Taylor and Francis but the text of this article can be downloaded from my website courtesy Taylor and Francis.
Freeman, J. (2009). “Storage in Collaborative Networked Art,” in H. Thorington, J. Green, and E. Navas (eds.), networked: a (networked_book) about (networked_art).
J. Freeman. "Thoughts Around Terry Riley's Chanting the Light of Foresight." Open Space Vol. 10, 2008.
J. Freeman. "Collaborative Creation, Live Performance, and Flock." Leonardo Music Journal Vol. 18, 2008. This article is copyright 2008 MIT but can be downloaded from my website courtesy MIT Press.
J. Freeman. "Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance." Computer Music Journal Vol. 32, No. 3, 2008. This article is copyright 2008 MIT but can be downloaded from my website courtesy MIT Press.
J. Freeman. “Glimmer: Creating New Connections.” In Transdisciplinary Digital Art: Sound, Vision and the New Screen, ed. R. Adams, S. Gibson, and S. Arisona. Communications in Computer and Communication Science, Springer, 2008. This article is copyright 2008 Springer Verlag but can be downloaded from my website courtesy Springer Verlag.
J. Freeman. “Graph Theory: Linking Online Musical Exploration to Concert Hall Performance.” Leonardo Vol. 41, No. 1, 2008. This article is copyright 2008 ISAST but can be downloaded from my website courtesy MIT Press.
J. Freeman. "Glimmer: Lights, Orchestral Performance, and Audience Participation." Leonardo Electronic Almanac Col. 15 Nos. 11-12, 2007.
J. Freeman. “Fast Generation of Audio Signatures to Describe iTunes Libraries.” Journal of New Music Research, Vol. 35, No. 1, 2006.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, D. Birchfield. “Auracle: A Voice-Controlled Networked Sound Instrument.” Organised Sound, Vol. 10, No. 3, 2005. This article is copyright 2005 Cambridge University Press, but can be downloaded from my website courtesy of Cambridge University Press.
J. Freeman. “Orchestra Tech National Conference (review).” Computer Music Journal, 26/2, Summer 2002.