Im, T., Freeman, J., Magerko, B., and Siva, S. (2016). “Using Music to Enhance Learning Outcomes for Non-Majors in an Introductory Programming Course,” in Proceedings of Envisioning the Future of Undergraduate STEM Education (EnFUSE 2016), Washington, DC.
Freeman, J., Magerko, B., Edwards, D., Miller, M., Moore, R., and Xambó, A. (2016). “Using EarSketch to Broaden Participation in Computing and Music,” in Proceedings of Sound and Music Computing (SMC 2016), Hamburg, Germany.
Moore, R., Edwards, D., Freeman, J., Magerko, B., McKlin, T., and Xambó, A. (2016) “EarSketch: An Authentic, STEAM-based Approach to Computing Education,” in Proceedings of the 2016 American Society for Engineering Education Annual Conference & Expo, New Orleans, Louisiana.
Helms, M., Moore, R., Edwards, D., and Freeman, J. (2016). “STEAM-Based Interventions: Why Student Engagement is Only Part of the Story,” in IEEE Research on Equity and Sustained Participation in Engineering, Computing, and Technology (RESPECT 2016), Atlanta, Georgia.
Xambó, A., Lerch, A., Freeman, J. (2016). “Learning to Code Through MIR,” in Proceedings of the 17th International Society for Music Information Retrieval Conference (ISMIR 2016), New York, New York.
Xambó, A., Freeman, J., Magerko, B., and Shah, P. (2016). “Challenges and New Directions for Collaborative Live Coding in the Classroom,” in Proceedings of the 2016 International Conference on Live Interfaces (ICLI 2016), Sussex, England.
Mahadevan, A., Freeman, J., and Magerko, B. (2016). “An interactive, graphical coding environment for EarSketch online using Blockly and Web Audio API,” in Proceedings of the 2016 Web Audio Conference, Atlanta, Georgia.
Martinez, J. and Freeman, J. (2016). “A JavaScript Pitch Shifting Library for EarSketch with Asm.js,” in Proceedings of the 2016 Web Audio Conference, Atlanta, Georgia.
Tsuchiya, T., Freeman, J., and Lerner, L. (2016). “Data-Driven Live Coding with DataToMusic API,” in Proceedings of the 2016 Web Audio Conference, Atlanta, Georgia.
Winters, M., Tsuchiya, T., Lerner, L., and Freeman, J. (2016). “Multi-Modal Web-Based Dashboards for Geo-Located Real-Time Monitoring,” in Proceedings of the 2016 Web Audio Conference, Atlanta, Georgia.
Tsuchiya, T., Freeman, J., and Lerner, L. (2015). “Data-to-Music API: Real-time Data-Agnostic Sonification with Musical Structure Models,” in Proceedings of the International Conference on Auditory Display, Graz, Austria.
Mahadevan, A., Freeman, J., Magerko, B., Martinez, J. (2015). “EarSketch: Teaching Computational Music Remixing in an Online Web Audio Based Learning Environment,” in Proceedings of the Web Audio Conference (WAC), Paris, France.
Freeman, J., Magerko, B., McKlin, T., Reilly, M., Permar, J., Summers, C., Fruchter, E. (2014) “Engaging Underrepresented Groups in High School Introductory Computing through Computational Remixing with EarSketch,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Atlanta, Georgia.
Lee, S., and Freeman., J. "echobo: A Mobile Music Instrument Designed for Audience to Play," in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2013), Seoul, Korea.
Magerko, B., Freeman, J., McKlin, T., McCoid, S., Jenkins, T., and Livingston, E. (2013). “Tackling Engagement in Computing with Computational Music Remixing,” in Proceedings of the ACM SIGCSE Technical Symposium on Computer Science Education, Denver, Colorado.
Bretan, M., Weinberg, W., and Freeman, J. (2012). "Sonification for the Art Installation Drawn Together," in Proceedings of the International Conference on Auditory Display, Atlanta, Georgia.
Subramanian, S., Freeman, J., and McCoid, S. (2012). “LOLbot: Machine Musicianship in Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.
Lee, S., Srinivasamurthy, A., Tronel, G., Shen, W. (2012). “Tok!: A Collaborative Acoustic Instrument using Mobile Phones,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.
Lee, S., Freeman, J., and Colella, A. (2012). “Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.
Weitzner, N., Freeman, J., Garrett, S., and Chen, Y. (2012). “massMobile – an Audience Participation Framework,” in Proceedings of the New Interfaces for Musical Expression Conference (NIME 2012), Ann Arbor, Michigan.
Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2012). “Evaluating Collaborative Laptop Improvisation With LOLC,” in Proceedings of the Symposium on Laptop Ensembles and Orchestras (SLEO 2012), Baton Rouge, Louisiana.
Lee, S., Freeman, J., Colella, A., Yao, S., and Van Troyer, A. (2011). “Collaborative Improvisation in a Laptop Ensemble with LOLC,” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.
Freeman, J., Lee, S., Yao, S., and Albin, A. (2011). “LOLC for Laptop Music Ensemble (artist statement),” in Proceedings of the 8th ACM Creativity and Cognition Conference (CC 2011), Atlanta, Georgia.
DiSalvo, C., Freeman, J., and Nitsche, M. (2011). “Participatory art as inner city workshop: The UrbanRemix sound project,” in Proceedings of the Inter-Society for the Electronic Arts (ISEA 2011), Istanbul, Turkey.
J. Freeman. "Technology, Real-time Notation, and Audience Participation in Flock." Proceedings of the International Computer Music Conference (Belfast), 2008.
J. Freeman. “Graph Theory: Linking Online Musical Creativity to Concert Hall Performance.” Proceedings of the 6th ACM Creativity and Cognition Conference (Washington, DC), 2007.
J. Freeman. “Graph Theory: Interfacing Audiences Into the Composition Process.” Proceedings of the New Interfaces for Musical Expression Conference (New York), 2007.
J. Freeman and M. Cerar. “Graph Theory and the Virtual Composer Residency Project.” Proceedings of the Spark Festival of Electronic Music and Art (Minneapolis), 2007.
J. Freeman. “Summarizing Musical Preferences as Audio Signatures.” Proceedings of the International Computer Music Conference (New Orleans), 2006.
G. Weinberg, J. Freeman, P. Chordia, F. Clark, C. Moore, S. Driscoll, T. Thatcher. “Georgia Tech Music Technology Group — Studio Report.” Proceedings of the International Computer Music Conference (New Orleans), 2006.
T. Thatcher, D. Jimison, J. Goetzinger, J. Freeman, G. Weinberg. “Mobile Networked Music Demonstration: Sequencer404.” Proceedings of the International Computer Music Conference (New Orleans), 2006.
J. Freeman. "Glimmer: Creating New Connections." Digital Art Weeks (Zurich), 2006.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, D. Birchfield. “The Architecture of Auracle: A Voice-Controlled Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Barcelona), 2005.
J. Freeman. “Large Audience Participation, Technology, and Orchestral Performance.” Proceedings of the International Computer Music Conference (Barcelona), 2005.
J. Freeman, C. Ramakrishnan, K. Varnik, M. Neuhaus, P. Burk, and D. Birchfield. “Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Miami), 2004.
J. Freeman. “N.A.G. (Network Auralization for Gnutella).” In Proceedings of ACM Multimedia (New York), 2004.
K. Varnik, J. Freeman, C. Ramakrishnan, P. Burk, M. Neuhaus, D. Birchfield. “Tools Used While Developing Auracle: A Voice-Controlled Networked Instrument.” In Proceedings of ACM Multimedia (New York), 2004.
C. Ramakrishnan, J. Freeman, K. Varnik, D. Birchfield, P. Burk, and M. Neuhaus. “The Architecture of Auracle: A Real-Time, Distributed, Collaborative Instrument.” Proceedings of the International Conference on New Interfaces for Musical Expression (Hamamatsu), 2004.
J. Freeman. “MetaMix: A Symbiosis of Familiar Content With Generative Form.” Proceedings of the 6th International Conference on Generative Art (Milan), 2003.