Materials
flute
Bb clarinet (doubling bass clarinet)
alto sax (doubling tenor sax)
violin
cello
double bass (requires low C extension)
piano
percussion (vibraphone, marimba, suspended cymbal, snare drum)
Duration: 11-12 minutes
About
The repetitive, sectional structure of Resolutions is based on the Thue-Morse sequence, a self-similar infinite sequence of positive integers. The sequence is invariant under scaling by powers of two; in other words, if you take every other element of the sequence to form a new sequence, that new sequence is identical to the original. This piece uses the first thirty-two elements of the sequence, mapping each integer to a unique thematic, textural, or harmonic gesture. These gestures are varied as they are repeated.
I used the sequence to create a musical world in which forward motion is constantly at odds with recurrence, making the music seem simultaneously tense and static. I also wanted to create a musical work whose durational scale was unsettlingly ambiguous; the length of this piece could easily be twice — or half — as long, with only minimal structural adjustment. In fact, the piece does not really end at all; it simply stops on the verge of another iteration of the structural process.
Performance History
- University of Florida New Music Ensemble, April 2001: Jonathan Helton, conductor
- Le Nouvel Ensemble Moderne, August 2001: Lorraine Vaillancourt, conductor (reading session)